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You and me (Click to reply)
submitted: 6/7/2009 7:00 PM
by: michel.gill@oracle.com
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Dear Ben, we met few times, but most recently in Boston where you presented to many Oracle customers...If you try to remember me...I am the one that lives in the World of possibilities....who offers your book to every new person I meet telling them it changed my life and I wish it changes theirs...I was there that evening when you celebrated your 70th birthday/30th with the orchestra...and we met again for your speach with Oracle....
I would love to meet you again...I know you are coming near Quebec city july 31st....3 hours drive from Montreal....for a concert...will see you there most likely...
I was wondering if I could see you before or after...and if POSSIBLE to have you meet some of my friends.....let me know....
I have a picture of you and me....that inspires me every day....would like to send you.
Cheers. |
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thanks. (Click to reply)
submitted: 5/27/2009 5:30 AM
by: hcdejager@planet.nl
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Benjamin, i would like to thank you again for the fantastic evening in the concertgebouw amsterdam at the occ. of Pim Polak S. leave. Your perfomance made me enthousiast. Because of the crowd a have not been able to thank you personally.
Again thank you and may god bless you and yr. family.
Cok ( Cornelis) de Jager.
Wednesday, 27 may 2009.
Amersfoort.
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thank you! (Click to reply)
submitted: 5/21/2009 10:25 AM
by: famsun@telia.com
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Dear Benjamin,
I would like to thank you for a brilliant lecture on Bruckner's 5th symphony which was added to your Telarc recording. I am by now 50 years old and the first time I heard that symphony was over 30 years ago and since then it has always been close to my heart and I know it always will be. It is a spiritual work in a way that can not be explained but your lecture put words on a couple of things that I "knew" but could not express. I am so happy that the musical world has people like you who can dig under the surface of great music, both in words, but more importantly, when conducting.
Best regards/
Staffan Sundkvist |
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YPO concert (Click to reply)
submitted: 5/21/2009 7:51 AM
by: rstiller.cello@gmail.com
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Dear Mr. Zander,
You have no idea how badly I wanted a white sheet after that performance!
The silence before the Debussy was pure energy, the silence buzzed with the audiences excitement, waiting for the flautist to start the beautiful flow of sound and emotion. As it built up with more instruments, my heart fluttered with excitement and the passion of the music that was passing through me. As the music went on, it tugged me every which way (I hope not not so much physically for the sake of those sitting around me!), it brought me through a world of emotions, all because of this piece. as the Debussy ended, the silent energy returned to the hall, but in a new form; it was a 'tired' energy as this had already emotionally dragged me around. it was tired as in that it is a piece that you don't want to end, and then Debussy stabs us in the heart by stopping this sensory high.
Next, Chi-wei walks on to stage taking everyones breath away; not only because of his stunning white tuxedo (which I am incredibly jealous of!) but because of the invisible power this young man held. I only had the privilege of hearing rumors of how amazing he was, and on occasion, hearing him in an adjacent practice room working on the third movement. I knew that this was going to be mind blowing though. I didn't need any rumors or whiffs of his playing to know that this would be amazingly fantastic! I loved the jazzy first movement, the life and spirit of this thankfully brought me up from my hangover from the debussy!! Only to realize as the first movement ended with a bang that this next movement would deprive me. I almost immediately fell apart in the first few chords of the second movement because of the immense beauty that Chi-wei squeezed out of the piano. I could not believe what i had heard by the end of this, i was so exhausted after hearing this! then, the amazing third movement. I noticed how he automatically started speeding up from an already fast tempo!!! His speed an precision was like a sail boat speedily cutting through the water blowing everything out of the way! As he ended I wanted to jump out of my chair for him, but it would have been undoubtedly dangerous!
Intermissions are very good for the audience and musicians
The Petrouchka truly spoke for itself. The story line really helped the music I think, but at the same time it was distracting from the musicians. I could tell that even though they were tired, the musicians still kept pushing strong through the technicalities of this unique piece! I couldn't believe that Chi-wei could go on after the Ravel!
Thank you and YPO for giving us an amazing concert once again. YPO has truly showed (me) that nothing is impossible for young musicians!
Riley J. Stiller
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We will certainly be visiting the Boston Philharmonic again soon (Click to reply)
submitted: 5/20/2009 10:18 AM
by: guest@guest.com
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Dear Mr. Zander,
My husband and I went to the February 22nd concert this year and were graced by Gabriela Montero. What a delight to hear her play in person. It made me want to run out and buy every recording of the piece to see if anyone could possibly match her musicianship. She was even better than I imagined her to be! Both of us are trained musicians and we were just in awe of her performance the entire time.
What impressed us even more than your interpretation of all of the pieces on the concert (which was incredible) was your presence. Not very often when you enter an orchestra hall are you greeted by the conductor himself. Nevermind get a hug! We have listened to your talks on TED, shared them with many of our students here in Westbrook, and then shared them will fellow musicians and teachers in the area. I even forwarded the link to my principal here at the junior high and he actually listened to it! You are an inspiration to us, and it is amazing that you speak and teach with so much passion after being a part of it for so long. It takes a very gifted, intelligent, passionate, and creative human being to be able to work with children and adults at such a high level. We will certainly be visiting the Boston Philharmonic again soon because it may have been the most enjoyable pre-concert talk and concert experience we have ever had. You have greatly impacted us, Mr. Zander, because here we are in May, and we are still talking about you to anyone who will listen!
Have a great week!
~Krystle and Kyle Smith |
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down bow right cheek (Click to reply)
submitted: 5/2/2009 10:27 AM
by: jm.fisher@utoronto.ca
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Hello, Ben:
I have just completed a week of adjudicating for the Windsor, Ontario Kiwanis.
The work can be grueling, but very rewarding, too.
I had a glorious opportunity to practise possibility with a young cellist. His Bourée, the C+ was good, but not quite great. As he went through the motions, bar by bar, I thought:
"The problem is, you're always on two buttocks!" I weighed the risks of talking to him about this, and thought, "so what!"
I talked to him about how you have to be bowled over by the music, and that you cannot just plant yourself there and expect it to happen.
So when he heard this, he nodded his head, "yes." But of course nothing happened. So then at the end of the week, I invited him to a masterclass, and he wanted to explore the idea a bit further.
Who can resist getting an adjudication about One-Buttock Cello Playing, especially an eleven year old boy!
As he played, a voice began to coach him:
"Down bow, right buttock, Up bow, left!"
I was shocked to find that it was my voice, but it worked!
Gales of laughter from the parents, other players and the accompanist.
And now, another cellist who can move to the music, and be moved by the music.
Not to mention the audience.
I saw a performer play Humoresque, so beautifully, with shining eyes. She took that class, although later I found out she has Asberger's syndrome.
Good thing I assessed her on her playing alone. She got to play in the MasterClass, too.
In those tight classes, I was pleased to give them all an A.
I said that Festival rules required a first, second, and a third, but that was just a formality.
You don't have to give a B or a C or a D to someone who is good enough to be on the Dream Team, whether it's basketball or a symphony.
If you have Primrose in your section, it really doesn't matter where his is sitting.
You can lead from anywhere.
"Who's Primrose?" Glorious opportunity. They don't have their shoes yet.!
I gave one bright student the first piece from Schindler's list as a sight reading piece. I could tell that it really affected him.
Now he gets to find out about Oskar Schindler, and Itzhak Perlman.
From one glorious opportunity to another...
I think I owe you some kind of residual.
Much affection,
Julian.
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lieder (Click to reply)
submitted: 4/9/2009 3:43 AM
by: fernandodelvalle@t-online.de
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Caro Maestro,
I was so delighted to find you on Facebook. I hope you remember me, I was the tenor in your ‘sonata and lieder’ class at the conservatory, my name was Brian Skinner at the time. I have fond memories of that time, and everything I learned, you ‘taught’ me to sing lieder. I continue to feel fortunate to have been chosen for that class. After leaving Boston, I moved to Italy, where my career began, as ‘don Jose” under Peter Maag, in Treviso.
It would bring me great joy sing with you again.
With affection
Fernando
www.fernandodelvalle.com |
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Mahler 2nd (Click to reply)
submitted: 3/31/2009 8:15 PM
by: John Dunston
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Dear Ben,
I can hardly tell you what a thrilling experience it was to be involved in the performance and recording of Mahler's Resurrection Symphony.
You will have realised from the response of members of the Bach Choir what a tremendous impact this week has had on us all, starting with your inspirational rehearsal last Monday; continuing with your introductory talk in the cathedral which made everything so clear, and lifted us from the state of enthusiastic singers to that of profoundly engaged participants in the drama that was to unfold; and then the performance itself, which, after your own constant affirming of what was happening on that fantastic journey from darkness to light, was unforgettable. All of us at Watford yesterday afternoon are immensely grateful for that opportunity to record the heavenly climax; we will await the CD with some impatience!
On a more personal note, I must tell you how moved the choir was when you recounted the story of the internment shared by our fathers. So many have spoken to me since, asking me more about it, since that chapter of history is outside the experience of almost everyone. It was a remarkable moment, particularly in the context of the triumph of the spirit so eloquently written about by your father, that had already been reflected in your explanations of the finale of the symphony during the rehearsal. It was of course an unimaginable privilege for me to be associated, albeit at one remove, with that story and with the Zander family. My father was so pleased to hear about what had happened, and is very much looking forward to seeing Luke on Thursday, when he is kindly planning to meet at my father's residential home in north London.
Last night, I read again two of your father's articles: Spiritual Power in Internment and The Way of the German Jew (having been reminded in a letter he once wrote to me that he refers to and quotes my father in the latter). Both his collection of articles - I'm so glad they are now on the website - and his books remain invaluable reading for anyone trying to make sense of Israel and Palestine. These writings appear ever more prophetic, as the inevitable conflict grows, tragically.
Meanwhile, Susie and I are so pleased to have met you and Rosamund, Luke and Annique (sorry if the spelling's wrong), and Michael and his wife last week, and to have re-established contact with the Zander family, your father having been, as you know, a - if not, the - guiding spirit throughout my father's life since internment, and, therefore, a significant influence on mine too. I have to add, Ben, that the extraordinary experiences of the past week have strengthened that influence, from which I know I will draw enormous strength in the future. It was wonderful.
I hope the final recording day will have gone well.
Warmest regards,
John |
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Westminster Cathedral (Click to reply)
submitted: 3/31/2009 8:08 PM
by: juliet.sydenham@ntlworld.com
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REAL_NAME: Juliet Sydenham
COMMENTS: Dear Benjamin Zander, thank you so much for the privilege of
letting us be present at your wonderful talk on Tuesday at Westminster
Cathedral, followed by the amazing performance of Mahler's 2nd. It meant a
lot to me and to my husband, who is in the early stages of dementia. He
managed to sit through the whole thing and loved it, which is extremely
unusual. My daughter in law, Kirsty Lang, told us about the concert, and
after listening to Front Row, we were determined not to miss a minute of
it. The talk made all the difference as we knew what was going to happen
and what to look out for. I also read your blogs about China, since my
grandson aged 19 is going there to work for three months. I love all
the Possibility stuff which perhaps he will take on board. Many many
thanks again, hope you come to the UK again soon, with best wishes, Julie
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Giving an "A" (Click to reply)
submitted: 3/18/2009 3:03 AM
by: a.nguyener@gmail.com
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COMMENTS: To Mr. Zander,
I am a student at McCombs School of Business. In our management course, we
were asked to read the book you wrote with Roz, The Art of Possibility.
Well! We had a surprise quiz on it, and one of the questions asked what
the chapter 'Giving an A' was primarily about. Our professor gave us
perhaps...6 answer choices, the first one being 'how people succeed in
life', and the last one being 'none of the above'. The answers in between
are negligible. Maybe. But..I chose the first answer and was counted
wrong.
I wanted to know what your thoughts were. In that chapter, would you
consider your examples successes in life? Because I certainly think so. We
all define success in many different ways, don't we?
Looking forward to your answer,
Amanda Nguyen
Business student by day, violinist, pianist, and dancer by night.
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RE:Giving an "A" (Click to reply)
submitted: 3/18/2009 3:10 AM
by: bz@benjaminzander.com
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Amanda,
Of course it all depends on how you define success.
If your definition is based on the accumulation of wealth, fame or power, then
your teacher is right - giving the "A" is not designed to reach goals in those areas.
If, on the other hand, you define success, as I do, by how many shining eyes you
have around you, then Giving "A"'s is clearly a direct path to that joyous life.
However, in my experience, Giving "A"s to people
mysteriously seems to lead to greater success in the more conventional sense, but that is another story.
I think your teacher had wisely tried to draw your attention to the transformational,
nature of our practices, by asking you to think "out of the box" of normal thinking.
"None of the above" is the "correct" answer, but yours has truth too and, look, it lead
to our conversation, which opens up possibility! Maybe we will go dancing!
warmest wishes
Ben Zander
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thank you for being on a mission (Click to reply)
submitted: 2/23/2009 6:58 PM
by: Evelyn@lyricalpurpose.com
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Roz and Ben
I am reading the Art of Possibility and am savoring the flavor which feels balanced, rich, and yet light. Thanks for being on a fabulous mission. The practices are wonderful and have deep impact in how we all think of life.
I am curious about what you might think about the idea that perhaps we are each a song? that we have our own lyrics etched in our brains that shape how we experience the world? certain refrains? like some people might have the "my liffeeee suckkkkss" song stuck in their head and others might choose to hear "I am greater and more powerful than I think I am" or some of us may have other tracks we choose from that deeply influence the soundtrack of our life?
I'd love your thoughts and invite others to comment on how that resonates with them.
Evelyn Van Til
College-to-Career Coach
Lyrical Purpose
http://www.lyricalpurpose.wordpress.com |
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Θέμα: Thank you! (Click to reply)
submitted: 2/18/2009 3:48 PM
by: ojtf__jc@facebookmail.com
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Hello Ben,
I owe you a very big THANK YOU and appreciate all the presentations you have made at TED as well as at the World Economic Forum 2008+9 cause I try to follow you as much as possible. I've watched them many many times and help me as a person improve and go on with issues of myself (thank God there is YouTUBE and TED).
You are a great teacher and a great motivator. Certainly you are unlocking possibilities within other people and transforming them.
I am honoured you connected with me and I appreciated!
Please, continue inspiring the world. You are the BEST!
Kind Regards,
Stefanos
Athens, Greece
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Lotusphere 2009 (Click to reply)
submitted: 2/16/2009 11:59 AM
by: guest@guest.com
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Mr. Zander,
I have seen and heard a good many talks and there has been none that has had the positive effect on myself and thus my workplace. It was truly my pleasure and enjoyment to say that I was part of the closing ceremony at Lotusphere 2009. To say that this was the best motivation I have
ever had is an understatement.
Thank you so much for your words and approach I now try to take to the next level at work.
Thank You Again,
Jack Lagina
Network Technician
Green Bay Metropolitan Sewerage District
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Davos (Click to reply)
submitted: 2/3/2009 3:46 AM
by: mlo.no_spin@bluewin.ch
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You were definitely the highlight of this year's wef !!!
I had such a good time watching you on TV - it's such a pity I can't
afford to fly to Boston to hear the Philharmonic Orchestra...
regards
Marianne Loosli-Widmer from Switzerland
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A NEW PIANO (Click to reply)
submitted: 1/27/2009 7:53 PM
by: dwynne@intekom.co.za
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Dear Liz,
Hi! My name is Ms Dwyn Griesel and I am the Director of the Kronendal Music Academy that Ben mentioned in his radio interview. I could hardly sleep last night when I received an email from a very special lady, Louise Van Rhyn, who in her way started this whole big beautiful, energetic ball rolling! The email explained to Dorianne - ANOTHER very special lady who created the link between you and Ben and I.... and therefore our pupils - who the precious gift of your piano was for!
Liz, I met Ben Zander last year when he so very graciously came to present a masterclass visit to our Academy and one of our gifted pupils was blessed to work with him while the rest of us looked on in captivation! We only had the use of a VERY dilapidated grand old black piano in a local school hall and although it was an embarrassment in some ways the dear old thing held her own and did her best - with me pressing down the "C1" hammer back into place every time it was played!
However, it was when Ben announced mid-Liszt that this piano was not doing any of us any good and that he pledged to find us a new grand piano, that all our jaws fell to the floor! The next time we met he and I discussed the best way to go forward with this promise, but the ball had not begun its roll yet, so to speak.
Until the radio interview!
Dear Liz, I am a pianist myself and a while back I had to say goodbye to my sweet precious old friend, my upright piano, who had seen me through years of exams and concertos and competitions and given me hours of practise and joy into the wee hours of many mornings. So, I am well aware of the heartache that you must be feeling and which has stopped you from selling your Weber till now... I can assure you that this gift will mean a new era in the life of YOUR old friend, that its gift of sound and music and sheer pleasure will go on to enter countless hearts and bring endless smiles to the faces of so many souls who otherwise would not ever have had the opportunity to experience such luxury. Of course, who knows what hidden talents in these children your piano will expose, and lead to greater things!
With your permission, I would love to send you some more info on our school and what we do, what we dream of, so that you can see what your piano's new home is all about!
But for nowI want to tell you how very very very very grateful we all are and what a joyful celebration there is at the Academy right now :-)
And to Ben, Dorianne and Louise, thank you for making this wonderful opportunity happen, I do believe this is the Art of Possibility In Action!
Much love
Dwyn G
Ms Dwyn Griesel
DIRECTOR
KRONENDAL MUSIC ACADEMY OF HOUT BAY
"Igniting the Spirit"
A Non-Profit Music Academy integrating communities
Cape Town, South Africa
Tel: +27 82 3314062
"The only actions that do not cause opposing reactions are those that are aimed at the good of all. They are inclusive, not exclusive."
Eckhart Tolle
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Belmont Day School Thanks (Click to reply)
submitted: 1/9/2009 10:20 AM
by: guest@guest.com
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Dear Ben and Roz,
On behalf of Belmont Day School, I extend enormous thanks to you both for the wonderful evening you gave our community last night. The atmosphere in the school is "skipping." While dropping off my daughter Marisol this morning, many parents and teachers gushed their enthusiasm. Their eyes were shining! One person I spoke to was Regina, an 11-year old who attended last night because her mother. a school staff member, didn't have enough time to go home and come back. When I asked Regina if she enjoyed the program and understood any of it, her response was: "From now on, I'm going to sit in the front row ALL the time!"
Clearly, your words and ideas -- the realm of possibility -- reached each of us in important ways. Belmont Day is a school that will take the feelings, lessons, and message and soar, imparting them to the students with grace and creativity. I can't thank you enough for your willingness to participate in our parent workshop program and for your generosity in sharing your insights with us first-hand. It was a privilege and an honor that we will cherish for a long time to come.
Wishing you joy, happiness and possibility, I remain,
Kindly yours,
Lisa
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Lisa Monrose |
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The story of Eastlea (Click to reply)
submitted: 1/9/2009 4:40 AM
by: Majlweber@aol.com
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Dear Ben,
_The Story of Eastlea - Download Beethoven's 5th Symphony_
(http://benjaminzander.com/eastlea.asp#continued) was so inspiring. It
represents the burning desire I've had to do something to make a
difference in our children in our community & around the world. The
education system is sorely lacking & terribly uninspiring to the
students, as well as the teachers. I am not in the education system,
nor do I have specific contacts. But I do believe there is a way,
through the guidance of gifted people like you, to initiate a program
that will encourage our children to explore their creativity & believe in
the importance & excitement of their individual contribution to this
world.
Please provide any suggestions or information that might assist me in
this task. I feel driven to do this, but I could use direction in
motivating others & possible suggestions on how to get started. I have
shared The Story of Eastlea with a list of people that share my vision.
With your direction, we can make a difference, starting in our
community.
Thank you for the excitement you instill in others.
Regards,
Mary Ann Weber
4103 Chalfonte Dr.
Beavercreek, Oh 45440
USA
_majlweber.@aol.com_ (mailto:majlweber.@aol.com)
**************New year...new news. Be the first to know what is making
headlines. (http://www.aol.com/?ncid=emlcntaolcom00000026)
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Thank you for the inspiration (Click to reply)
submitted: 1/9/2009 4:07 AM
by: richard.bolus@carbontraininginternational.com
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STATE: New South Wales
ZIP: 2095
COUNTRY: Australia
COMMENTS: Dear Benjamin
I have just listened to your presentation at the TED talks for what must
be the 4th or 5th time. I think that it is the best talk I have ever seen
and even though I'm sure lots of people tell you the same thing I wanted
to make sure that I contacted you to let you know. I'm on the lookout for
shiny eyes and more importantly constantly asking myself who I am being
when people around me do not have shiny eyes. If there is anything I can
do to help you such as if you ever visit Sydney and would like to visit
the best places please let me know.
Thank you for your insight.
Richard
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As a teacher and a pupil (Click to reply)
submitted: 1/3/2009 7:44 AM
by: manuel.fue@ono.com
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Dear Mr. Zander,
I've been a teacher for 20 years and a very clumsy amateur musician for more than 30. I have learned from you as both and this is my thank you so much.
As a teacher (mathematics) I've been always looking for those shining eyes, and as result of my passion for maths I've got them maybe three or four times, so long ago. It was a time when I hadn't forgotten yet that a pupil was a world of possibilities. You have reminded me of that and I needed it: thanks.
As a music lover and wannabe player, always struggling with my lack of knowledge, practice and skill, like if it were some sort of competition with myself, you have taught me to focus on the music I was trying to make. When I saw you teaching that fifteen year old cello player I wished I had been him, at my 42 years of age. I regard that lesson as a gift and cherish it deep in my heart. Watching it moved me because I longed to be that teacher and that pupil at the same time.
You are a master.
Thanks so much.
Please, come to Spain sometime.
Manuel Gómez
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Mom's gift... (Click to reply)
submitted: 12/29/2008 6:25 PM
by: htascio@darientel.net
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Dear Mr. Zander,
My mother, upon arrival at my home for the holiday season, handed me your book, "The Art of Possibility". She mentioned, in supportive but fragmented sentences, that I could relate to the context and relationships within this book because "Ben Zander relates life experiences to music". Honestly, I was a bit uncertain as to how intriguing your book would be. I read it from cover to cover, not wanting to put it down even to tend to Maria's, my three year old daughter, needs.
My mother was fortunate enough to attend one of your lectures. She shared with me the impact your lecture made upon her- profoundly. I re-discovered the part of me that I thought was long gone. As a musician, I struggled and faced much opposition- especially from some of my college professors. The more "influential" ones, were the most judgemental and discouraging. Certainly, if I embodied the awareness that I am beginning to recognize now, I would not allow them on "my board". Alas, that was over ten years ago.
Today, my orchestra is my classroom- filled with students with very special talents and needs. I ended my semester completely exhausted and depleted. I lost my motivation to help certain ones because everything I had tried and applied- failed. With your suggestions and unique perspective I have discovered a new approach- they are all A's. For the most sensitive case- thinking outside the box may just prove to provide a solution.
I plan to re-visit your book and dwell within its pages. Thank you for such a wonderful gift.
Sincerely and compassionately yours,
Heather Varanelli
Georgia, USA |
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Gift (Click to reply)
submitted: 12/24/2008 11:03 PM
by: shameencooper@yahoo.com
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Dear Mr. Zander,
I am writing you on Christmas eve to thank you. I first read the Art of Possibility four years ago at the beginning of my graduate studies in Organizational Leadership. This book changed my life and my ability to live in so many ways. The greatest of which is regaining a lost passion of singing and musical performance I felt was lost. I will be a life-long student of the Art of Possibility and its teachings. Of all the stories in the book, the most profound was of the little girl in the concentration camp who gave her only possession, a perfect little berry she had been hiding in her pocket, to her friend. I cannot fully express the magnitude of what I felt when I read this but I can tell you that I carry it with me wherever I go.
I now stand at the beginning of a new chapter in my life and am using what I learned from you and your wife as a guide to keep me on my true path. I have gifted your book to countless friends and will continue to share what I learned with those around me. I hope to follow your example and be a leader who empowers those around her to be more than they thought they could be. If I can give others just a portion of what you and your wife have given me I know I will have fullfilled part of my purpose. I have yet to attend one of your talks but hope to very much in the future. One day I hope our paths cross. Thank you again for the priceless gift you have given me and I hope you and your family have a lovely holiday season.
Sincerely,
Shameen Cooper |
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Presentation (Click to reply)
submitted: 12/21/2008 3:47 PM
by: kim_bosch80@hotmail.com
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Dear mister Zander,
I found your presentation at Pop!Tech on the internet and I was really amazed!
I studie Oboe at the Royal Conservatory in The Hague (The Netherlands) and I am at the first year. I really recognised your story about the voice in your head and all those stuff. It really bothers me, because when I have to play on a concert or recital I always get nervous and I think I can't do it. I know I must not think in that kind of way.. So I try to think about what I play well and so on. But the feeling always stays. I wonder if you know how to handle this?
I really think you're a amazing teacher. I haven't seen such an enthousiastic, motivated and music-loving teaching for a long time. I wish my teacher was more like you. Than I wouldn't be nervous to go to my main subject courses.
I was also wondering if you also give presentions/masterclasses in other country's? I think it would be really great if you could come to The Hague. It could me an eye-opener for many students!
I've ordered your book and can't wait to read it!
Thanks in advance!
Greetings from Holland!
Kim Bosch |
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RE:Presentation (Click to reply)
submitted: 12/22/2008 10:50 AM
by: bzander@benjaminzander.com
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Dear Kim,
Thank you for your wonderful letter. I do have some ways of dealing with those nerves, which I would love to deliver "in person".
I am coming to Amsterdam on May 25th. Would you like to arrange a class at the Hague Conservatory
and I will be happy to work with you and other students on solving some of these problems.
The best day would be May 26th. Let me know if you can organize something.
Warmest best wishes
Ben Zander
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Mahler 5 plus (Click to reply)
submitted: 12/21/2008 11:25 AM
by: dannykay615@hotmail.com
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Hello Mr. Zander,
I have recently come across your Mahler 5 recording with the Philharmonia Orchestra. As a violinist, concertmaster and now conductor I had quite a few experiences with the work, played and conducted by the most famous of orchestras and conductors dead and alive. This is, of course, an intensely personal piece and so I cannot say I fully agreed with every nuance or shaping of a phrase but I so enjoyed its spirit, freshness and the attempt to penetrate as deeply as possible to Mahler's state of mind. Being a serious, intuitive and thinking musician educated in the best schools I was especially happy at the emphasis you put on breaking the dreary tradition of the Adegietto's performance practice. Recently, at a rehearsal with my orchestra I asked the 1st violins for an "illusion of a ritenuto" coming back to the recapitulation of the 1st movement of Mozart's 29th symphony and when you said "the illusion of slowness" regarding the Adagietto I immediately decided to try and find a way to write to you. There seems to be an almost infinite amount of unscrupulous conductors these days but after hearing your music and words I will now safely continue my work knowing I am not the only conductor out there who breaks old molds, extinguishing the built-up cynicism in orchestral players by encouraging an atmosphere of discovery and fun and most importantly, having not only a personal interpretation but also musical integrity.
Sincerely,
Daniel Kossov. |
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RE:Mahler 5 plus (Click to reply)
submitted: 12/22/2008 10:58 AM
by: bzander@benjaminzander.com
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Daniel,
Thank you for your wonderfully passionate and engaging response to the Mahler 5th recording.
Of COURSE you don't agree with "every shaping of a phrase" - I don't myself. I am performing it in a couple of weeks with my Youth Philharmonic Orchestra (ages14-18) and I find I am doing many things quite differently. But I am happy that we share joy in music making and realize how important it is to generate excitement, love and passion in our players - and through them to the audience.
Keep breaking the mould! The world needs more of that.
Happy Holiday
Ben
P.S. I love "an illusion of a ritenuto", that's all we need to set up the recapitulation, isn't it?
Which country are you working in? |
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thank you for the inspiration (Click to reply)
submitted: 12/9/2008 9:31 AM
by: www.lewisinstitute.com
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Dear Ben,
I first learned about you through your book when it was first published. I was very taken by the book and am going to re-read it.
Last week I found your TED presentation, and I want to thank you not only for it, but for the life you and your wife have lived in possibility. I've read several of your stories on the site (Nazareth, for example; the Swedish guy who became a conductor) and they reveal the living of the book you and Rosamund wrote.
You are only two years older than I am, but I find myself wishing you had been my father as I was growing up. What an inspiration you would have been!
I teach project management, and yesterday I began my class by showing your TED presentation, then asked them to discuss among themelves how it relates to PM. It was a wonderful way to begin the class. They were inspired and all agreed that if you were a project manager, they would gladly follow you.
As an aside, I studied classical guitar with one of Julian Bream's students in the 60s, but alas, have let my skills deteriorate. Music is still my first love, however, and I am going to start acquiring your CDs.
Warm regards,
Jim Lewis, Ph.D.
www.lewisinstitute.com |
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GRATEFUL THANKS (Click to reply)
submitted: 12/4/2008 8:17 AM
by: clarel@gcs-sa.biz
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Dear Mr Zander
I was so moved yesterday by your generosity for South Africa & for the whole of humankind.
I listened to your rendering of Beethoven's 5th, my favourite composer, in the car after your presentation. You have transformed how I now listen to this piece of music & your passion has ignited a desire in me to live passionately, & with possibility.
What a memorable experience it was and thank you for your joyful & inspiring message, your love of life and how you have touched the peoples of our land.
Sincerely
Clare Lalor |
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this week-end's concerts (Click to reply)
submitted: 11/24/2008 8:17 AM
by: dwax@bostonphil.org
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Dear Mr. Wax,
Wanted to let you know with sincere enthusiasm how much Steve and I enjoy
the BPO performances. Have yet to leave a performance in the last three
years where we have not, at one point or another, been pulled to tears. I,
Marie, moved to this area 10 years ago from New Mexico and feel like the
luckiest woman in the world to be able to experience such deep, passionate
and moving music for the soul. Particularly writing to you now to let you
know how much we appreciate the addition of 'Orchestra Member Profile' to
the concert program. Each member of the orchestra has a story and we feel
blessed to be able to have a window into their unique being.
Again, thank you and thank you to these gifted and dedicated members of the
orchestra for sharing.
Best,
Marie Woolf and Steve Nill |
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art of possibility (Click to reply)
submitted: 11/19/2008 2:48 PM
by: eloisedeh@yahoo.com
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Thank you from the depth of my heart to you and your partner Rosamund for the profoundly beautiful Art of Possibility book. I'm reading it for the second time, after being given it many years ago by my sister. She's now re-reading it also thanks to me telling her I am...
I made a big move of countries in my life recently, from Sydney Australia to Berlin Germany, and have been facing many personal challenges in doing so, but I know that this move is the best thing I have done for a long time. I recently went through a real feeling of crisis and in conversation with a new friend I remembered your book, and knew that I must order it and re-read it. So I have been and it has honestly changed my thinking like it did the first time, and I've been moved to tears by it many times as I was the last time too, and I wanted to let you know that I realised how far I had slipped back into the measurement world at that point, and now I am feeling completely realigned towards the infinite possibility all around me. I have to fight my own calculating self constantly to stay with the central self, but when i am with her, I feel such enormous power within myself and that universal knowledge that things are possible, that I'd been framing as insurmountable. It's so nice to feel and think like this again. I am now rediscovering the courage to pursue my dreams without constantly telling myself I have no chance of success... blah blah blah!
I wrote a letter to you and Rosamund in my journal of why I got my A, and so now I will head off to earn it.
Again thank you - I have such warmth in my heart from this book, and a desire to pass it on, and to live by its practices and help others to do so too, with my creative talents.
Best wishes,
Eloise |
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Amazing (Click to reply)
submitted: 11/6/2008 3:57 PM
by: gisela.spingies@pamgolding.co.za
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Recently, at one of our agent meetings we were all introduced to Ben in the form of one of his
pre-recorded talks on Ted.com. In those 20 minutes, electronic-Ben
transformed a large gathering of unmotivated people into a throng of
emotional beings - crying and laughing until they left the seminar beaming
with their eyes shining. |
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bzander message (Click to reply)
submitted: 11/1/2008 7:21 AM
by: pro@camphill.org.za
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I was at the concert in Cape Town on Saturday night and wanted to thank you for a wonderful experience. I was inspired especially by your introductory talk, I can't really explain why, just your full-on enthuisiasm and energy just snapped me out of a longish period of depression. I thought "look at this man, you can be like that, stop whining and be great!" I live and work at Camphill Village West Coast a community that cares for adults with intellectual disabilities. We are striving right now to transform our organisation, to make it fulfil its potential as a place where all can fulfil their potential regardless of obstacles. I am Horticulturist there, and currently manage the finances. We have a population of 150. We have a number of Xhosa women working here in the group homes and on the farm. You have to hear them sing, it makes you weep! I know you have to be one of the busiest men on the planet, but please know that you are welcome to visit our community at any time for any reason! It is beautiful here, nature made more lovely by human industry. Do you know that the founder of the Camphill movement Karl Koenig and some of his colleagues and friends, were interned on the Isle of Man during the early years of WW2? On their releasethey went to a place just outside Aberdeeen where the first Camphill School was founded at Newtondee. |
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Bryant University Miracle (Click to reply)
submitted: 11/1/2008 7:14 AM
by: bzander@benjaminzander.com
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This amazing young woman, a second year undergraduate(!) at Bryant University in Rhode Island, saw my TED talk on the web and called to ask if I would come and speak to her Business School colleagues. I was so struck by her passion over the phone, I agreed to do so, without fee, and suggested that she try to get some of the students to the upcoming BPO concert, which was the week before my talk. Lauren managed to get 295 students to buy tickets and to travel for over an hour, during Mid-term exams, for a CLASSICAL concert, with a conductor and an orchestra they had presumably never heard of!
Begin forwarded message:
From: "Lauren Amarante"
Date: October 30, 2008 2:58:01 AM EDT
To: bz@benjaminzander.com
Subject: What an IMPACT you have had!
Mr. Zander,
What an impact you have had here! Thank you. I can only begin to explain the incredible influence your passion, experience and stories have had on those who were present for your talk.
You will soon discover a package for you and your students from us here at Bryant. In it, you will read the many emails and personal comments that have been sent to me about you and the captivating (radiating) energy you dispel!
This weekend I am having dinner with a business leader in Providence who came to see your presentation. This person was so incredibly moved and his thinking was so transformed that he has an almost urgent and ardent need to talk about it. When you said, back in September in your home, that one of your goals is to "start a conversation", I believe this is literally what you meant.
There has been an even more prominent conversation disseminating throughout my college. I have been hearing "How Fascinating!" in the hallways, dorm rooms, late night talks, and even during class! :-) Moreover, during our entrepreneurship meetings, Tyler Fishback (our president), has been saying - "No 'DS' conversations. Only radiating possibilities."
I can only hope that you realize the true impact of the "conversation" you have started at my school. It only began with those in attendance. Everyone walked out of your presentation that night with a mission to enroll others in your powerful conversation. This is because it is a remarkable one, full of optimistic opportunities, transformed leadership, new thinking, and fresh beginnings.
From a personal standpoint, you will remain my role model for as long as I live. I have never before met someone with an ability like yours to captivate and enroll people so powerfully. By this, Mr. Zander, I don't only mean on stage. When you speak to a person, they feel like the only soul in the room, whether or not there are a couple hundred others milling around close by, waiting to do the same.
Throughout the process of planning this event and bringing so many of my classmates to the concert in Cambridge, I was leading almost 20 core volunteers. As a sophomore in college, this was the first event that I and most of my team had ever organized for Bryant. So everyone placed the odds against us. We were not expected to efficiently motivate and gather up hundreds of college students to attend a classical music concert an hour away. In fact, before we could "enroll" our classmates, we had to actually "enroll" administration to believe in us! However, here is what I believe to be the ultimate key - I gave myself only one acceptable route - to inspire ALL shining eyes surrounding me, without leaving even one of my team members in doubt. Soon, each one of them was doing the same and before we knew it, a fifth bus order was called in! It all came back to your transformational talk on TED.com, which moved me to be aware every moment of how I am presenting myself - as a leader or not.
To me, the prevailing driver of a happy and successful life is one's choice to surround themselves with extremely positive, passionate, hard-working, and inspiring people. Mr. Zander, you are the epitome of all of these traits. I hope to stay in touch with you throughout my life because your impact on it has been tremendous.
Someday soon I will see you at TED and the World Economic Forum. When that day comes, I will thank you before anyone else.
Kindest regards,
Lauren Amarante (Factor)
Global Entrepreneurship Program
Bryant University
(c) 203.715.5521
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concert on Oct 19 08 (Click to reply)
submitted: 10/29/2008 10:29 AM
by: bz@benjaminzander.com
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Dear Mr. Zander,
Thank you very much for the phantastic performance this afternoon!
Your preconcert talk was very much enlightening and inspiring, and the
performance of your orchestra was phantastic - lively and enthusiastic.
The way you interact with your young and not so young artists is a real
eye-opener and a true inspiration and the music the Boston Phil
produces is divine.
Sincerely,
Franz J. Giessibl
PS: I am looking forward to read "The art of possibility" which I just
ordered.
Prof. Dr. Franz J. Giessibl
Institute of Experimental and Applied Physics
University of Regensburg
D-93040 Regensburg
Germany
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Deeply impressed by recent concert (Click to reply)
submitted: 10/29/2008 10:06 AM
by: guest@guest.com
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Dear Maestro Zander,
The recent Boston Philharmonic concert, I went to, was on 10/19/2008
(with George Li). As usually I rushed to Saunders Theater to catch a
pre-concert talk. With all my deep appreciation and love to classical
music, I love these lectures as well as the performances. I enjoy both!
The narration about up- coming music is so rich of content and at the
same time thrilling, captivating, and expressive! The lecture runs
smoothly in to the concert, which brings so much Joy and Pleasure! I am
carried away by music After concert I always have a great after taste,
having enriched and raised my spirit; I feel like I am a new person.
Thank you for all doing this!
After concert I was browsing the WWW and discovered your web site
(shame on me, only now), and I began to read your stories I was
impressed and intoxicated by your enthusiasm and enormous optimism,
by the approach of giving rather than consuming (sure it is not that
simple, but I hope You got the idea). I was amazed by a story how You
met a young couple in the Hilton swimming pool and brought them a
Beethoven CD! Unfortunately, I do not understand why classical
music is not so widely popular in US, is not a natural part of US
culture.
Originally, I am from Russia, from the city of St. Petersburg. Ive
been living in United States since fall 1993. Russia has an old rich
history and tradition of classical music. Classical music was (at
least in 1970s 1990s) a natural part of culture in St. Petersburg.
The Great Philharmonic Hall was always full of people of my
generation (being born in late 50s, early 60s). We went to the
concerts after University lectures, after work; often could hardly
get tickets (sold out situation was normal) after spending long
hours in waiting lines outdoors in cold winter weather; and felt
extremely happy being able to buy the so called entrance ticket,
allowing you to get in the Hall and find any place to stand during
the concert. And I enjoyed so many wonderful classical performances
standing behind the sits!
When I began my working career in US in one of the High Tech
Companies, it happened so I met a colleague who in addition to his
day job was a singer in Cantata Singers chorus. We made up a usual
speech, I admitted my strong interest in music, and my colleague
invited me to attend a Cantata Singers performance in Jordan Hall. I
remember it was J.S. Bach Matthews Passion. Sure I was delighted by
the music! But what was a kind of disappointing is that the audience
consisted of most of all of the elderly people. I expected to see
students, young people Unfortunately very rare faces. I was not used
to it.
Ive been living in US (as I mentioned above) already 15 years. I am
attending classical performances in Symphony Hall, Jordan Hall,
Saunders Theater, summer Tanglewood concerts. And I appreciate
greatly that it is all possible! Just call tickets office or book
tickets online! No long waiting lines outdoors! And still I do not
get it how it is possible not to take advantage of this easy access
to a great performances, not to enjoy the beauty of the music! I am
really sorry about young who are even not trying to listen... They
lose a lot! They lose big part of their life
During the summer time there are a lot of outdoor weekend
festivals of blues and jazz, and other kind of popular music in
MA ( I am not saying this music is bad, not at allJazz and Soul
festival in Salem, MA, is a great event!), but unfortunately we
do not this kind of celebrations of classical music! And would it
be great to have a summer classical music festival, free and open
to public, attracting folk of all generations and background?
Probably we do not have enough enthusiastic people helping to
penetrate classical music into everyday life.
That is why I highly appreciate your efforts, and passion, and
enthusiasm to bring classical music to ordinary people, to make them
exposed to the World of Mozart and Beethoven.
Thanks You!
Rema Levit,
Swampscott, MA |
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Thank you (Click to reply)
submitted: 10/28/2008 3:47 PM
by: guest@guest.com
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Hello Mr. Zander,
I am a 17-year-old African American student who lives on the South Side of
Chicago. I heard a lecture you gave on classical music through TED Talks
and it was on of the most amazing things I ever saw. I know I found a
newfound love of classical music. Thank you. Your talk also inspired
me to change the world with my passion, art. I hope to become a curator
one day and give lectures as amazing as yours. My passion isnt only art, buy helping people see the joy of art. Thank you again for that as well. I can only imagine how busy
you are as the conductor of the Boston Philharmonic, but it would be
wonderful to here from you. I need a list of classical pieces now that I found
I love classical music! Once again and finally, thank you for helping me discovery a
new love for music.
~Anthony Ladson |
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Pop Tech (Click to reply)
submitted: 10/26/2008 6:15 AM
by: possibility@steveluscher.com
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Subject: Bawling
From: possibility@steveluscher.com
Date: Thu, October 23, 2008 4:59 pm
To: contact@benjaminzander.com
----------------------------------------------------------------
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Below is the result of your feedback form. It was submitted by
[possibility@steveluscher.com] on Thursday, October 23, 2008 at 16:59:34
----------------------------------------------------------------
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REAL_NAME: Steven Luscher
AREACODE: 604
PHONE: 628-9813
CITY: Vancouver
STATE: BC
COUNTRY: Canada
COMMENTS: Hello Benjamin,
I just finished watching your presentation at PopTech, and I must say that
I completely bawled, via webcast. You took me back to richer times - back
to my high school music education which, under the direction of Russ
Baird, felt very much like your interaction with Nikolai on stage.
Bravo!
Steven
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Today (Click to reply)
submitted: 10/22/2008 9:45 PM
by: ykaynar@gmail.com
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Mr. Zander,
It was my distinct privilege to listen to your speech at MIT today. I later on came down and talked to you about Daniel Barenboim's lecture at Harvard two years ago and the doom and gloom scenario that permeated the room back then regarding the fate of classical music.
I left your speech today feeling a lot more hopeful about where classical music is going and thank you for that.
Also, it was a great coincidence for me personally that you briefly mentioned Beethoven's 7th Symphony before you played the Chopin piece and asked us to think about a loved one who isn't here among us any more.
My dad played the 7th at home all through my childhood and although I enjoyed the 5th, 6th, 9th, 3rd, I never quite got the 7th. Then one day I happened to pull out the CD leaflet off Bernstein's Final Concert at Tanglewood CD and read the story, while listening to the 4th movement. Imagining him conducting the 4th movement while having to lean against the sidewalls of the stage, yet still managing to see the performance through to the end first made me get the 7th and then turned me into a huge classical music fan.
Maybe you can figure out what happened, I don't exactly know.
But again, thank you very much for all your comments today.
Yavuz Kaynar
MIT-Sloan |
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south africa group (Click to reply)
submitted: 10/22/2008 12:21 PM
by: bzander@benjaminzander.com
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From: Andrew Abdo
Date: October 20, 2008 9:38:32 AM EDT
To: Stephanie Stetson
Subject: RE: GIBS MBA Tour to Boston
Dear Ben
I am writing to thank you for the opportunity that you so kindly
provided for our GIBS MBA class to sit in for the youth philharmonic
practice session and your subsequent address with us on Saturday October
11. It was a wonderful few hours and the students could not stop
commenting on the impact that the session had on them. You really
touched 40 lives on Saturday and we really appreciate your time, energy
and insights. What a wonderful opportunity to hear about the art of
possibility first hand and to experience your passion with the YPO.
Thank you for all that you have done for us.
We look forward to supporting your tour next year in South Africa.
Warm regards
Andrew
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fan mail (Click to reply)
submitted: 10/15/2008 4:02 AM
by: miriamlewin@lavinegroup.com
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From: miriamlewin@lavinegroup.com
To: ken@landseerproductions.com
Subject: fan mail
Date: Tue, 14 Oct 2008 23:13:45 -0400
Dear Mr. Howard,
About a year ago Ovation TV showed your film on Benjamin Zander here in the U.S. I taped it but didn’t watch it until several months later, and now it’s several more months later and I’m finally sending you fan mail.
I appreciated the film as both a choral singer and a filmmaker. It reminded me of why I love to sing and helped renew my sense of purpose in music-making. When Ovation re-aired the film I sent a bulletin to the members of my choir. I was also reminded of how our work as filmmakers can make a difference in people’s lives, and the importance of every detail to the total film.
Thank you very much.
Sincerely,
Miriam Lewin
---
Miriam Lewin
Executive Producer
Lavine Production Group
324 East 70th Street, #411
New York NY 10021
917-804-1870
miriamlewin@lavinegroup.com
www.lavinegroup.com |
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He Never Makes a Sound (Click to reply)
submitted: 9/1/2008 2:48 AM
by: raymond@urbancanyon.biz
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The Conductor never makes a sound . . . right?
Well, in listening now to several of the videos, DVDs and CDs of both Ben's presentations and also the BPO performing Beethoven's 5th and 7th, I have begun to hear that the conductor does make a sound.
It is the sound of breathing.
The sound of breathing is more than just the fluid turbulence of the vital intake of oxygen, and the exhale of carbon dioxide once the muscles have extracted and converted, but the sound of breathing is orders of magnitude more meaningful.
A sigh at the end of the day - coming Home. The sharp intake of air during surprise. The rapid rhythm of excitement. The panting of exhaustion. All these breathing sounds convey more than just the physicality of our existence - they convey the emotion and passion of life.
When I listen now to the Symphonies, I pay careful attention to when the Conductor breathes faster and more urgently, and when bows of the cellos accidentally strike the instruments in a flurry of speed, or when the Conductor respires gently and the piccolo of the violins is so soft you can hear the flicker of music sheets.
Technically, these sounds are not part of the score. But remove them and the music becomes two dimensional. Include them and the music is animated with life and vigour.
I wonder if we fully can know the effects of our breathing on others. The breath that sustains our physical life may also be the very breath that sustains our souls, in the hearing of another's.
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Thanks to you both.. (Click to reply)
submitted: 8/18/2008 4:14 PM
by: connie@paradise.net.nz
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Hello Ben and Roasamund
Wishing you a perfect day.... :-)
I too am a teacher. (Of primary school children) But one who has had need of a rest.
To give and give and give as I did, caused my love affair with my work to become "strained" and the relationship eventually broke down...
But.....
The "possibility" that there could be ways to transform the perceptions that I had, into a more manageable (and more importantly enjoyable) game board is indeed both an important and intriguing concept to me.
I was thinking about going back to University do further study.... and I may still do that yet.
After 20 years of teaching - there is still so much joy in "learning" for me. Thank goodness!
And so - I just wanted to say "thank you" to both of you for kick-starting my study again.
(I started with your book....)
:-)
Kia Kaha. Kia Maia. Kia Manawanui.
Carol |
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Your 'shining eyes': we're making them in Birmingham (Click to reply)
submitted: 8/14/2008 6:36 PM
by: jeane.myorch@gmail.com
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Mr. Zander,
The experience you provided my daughter, a cellist, several years ago with the National Festival Orchestra at Carnegie Hall changed my life and is now allowing me to make a positive change in other lives.
You and a few others in my daughter's musical education gave so much more to the students than just instruction. I decided that all children should have access to music education and to such life-shaping experiences.
In February, we started a program called Scrollworks,loosely modeled after El Sistema, teaching in an inner city school, a church, and other locations. But the magic place is Cave9--a rock club on Birmingham's southside. There we teach free music lessons on Friday and Saturday afternoons to anyone who walks in the door. Many of our students are from the housing project across the street. Some are there for every minute of the 9 hours we are open. We've had a trombone player who was homeless spend two afternoons with us. We've had a policeman stop his patrol car to teach a few drum rudiments out on the sidewalk. Music breaks down the barriers between age, economic status, race. You can see a video made by one of the students here: http://www.youtube.com/watch?v=KCrWYANyd7E
I just saw your TED talk and am reminded of something we've been noticing lately at Cave9. At first, most people came in for drum or guitar lessons. But as the summer has wound down, we have had two string teachers busy constantly--and could have used a third. Since one of the long term goals of Scrollworks is to 'grow' a youth orchestra that truly represents the city of Birmingham--not just those who can afford private lessons--this is just delightful.
Thanks so much for planting a tiny seed on a cold January weekend in New York. With much effort, we're going to change our city for the better through the art of music. |
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South Africa (Click to reply)
submitted: 8/5/2008 6:56 PM
by: lauramartin@leapmail.net
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| I'm proud and excited that Ben and Roz are taking their unique gifts to this troubled land...I know that the effect Ben had on my life as an individual will be magnified by those thousands of individuals who take part in the activities. The possibilities for hope to thrive and people to live without fear are nearby. Good luck! |
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Just incredible (Click to reply)
submitted: 8/4/2008 9:22 AM
by: test@test.com
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I was so pleased to read in "South Africa - The Good News", that you and
your wife are investing in the quality of the fine South African people
and their profoundly complicated country by coming here to work with them
this August.
Life is such a beautiful circle. I first learned of you in the 1980's
when I was a student at SUNY Purchase and was privileged to witness your
presentation there. Then, only a few years ago, my life partner, Tony,
came back from a weekend in Vinalhaven, ME and enthusiastically told me
about an interesting couple he had met while walking the dogs at Lane's
Island.
We too are betting on the possibility of the South African people and
their country, by making it our home. We returned to SA 3 years ago,
after Tony had been away for 30 years. He returned to be close to his
ailing father and to offer his medical services back to his country of
birth.
We believed the country is poised to thrive - with unlimited potential and
find the people hungry to grow. Yes, there are many obstacles that exist
here, but the majority of those we meet as we travel around the country
(which we do often with dogs in tow!). We always say it took Moses 40
years to form the nation of Israel and SA is only 14 into the process . .
.
Good luck with your work here, and enjoy your time in this beautiful
place. Kind regards,
Nancy Krisch
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Standard Bank Talk (Click to reply)
submitted: 7/23/2008 7:24 PM
by: vickey.ganesh@standardbank.co.za
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Dear Benjamin
I hope this mail finds you and Rosamund well. I also trust that you had a good journey back home from Johannesburg, South Africa and met your business obligations in good time.
I write to thank you for a most inspiring talk at our conference last Saturday. I am sure you take away great memories of South Africa, my bank and of course Nelson Mandela.
Your vibrancy and energy resonates at the Bank and everyone I meet throws their hands up in the air and shouts "How facinating". It is remarkable that you've had such profound impact on a group of Bankers, who most people take for being stoic and uninteresting.
Also, thank you for opening my eyes and ears to classical music. I've always listened to classical music, but could not interpret and relate my reasons for listening. I now hear with new ears and am thoroughly enjoying it.
I've glanced at your itinerary for your forthcoming SA tour in August. It is unfortunate that I may miss seeing you again, as I am travelling on business in Nigeria and Ghana. If business goes well, I may be back in time for your next encounter with Standard Bank. I hope to secure your autograph then.
Keep well and regards to everyone dear to you. Best of luck with your business obligations and with the ochestra.
Best regards,
Vickey Ganesh - Johannesburg, South Africa (The land of possibility) |
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mahler 3 (Click to reply)
submitted: 7/11/2008 2:40 AM
by: bzander@benjaminzander.com
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Mahler's 3rd Symphony
Dear Mr Zander, If it were possible to distill happiness itself into the form of a CD, your recording of the Mahler 3 would be it! I bought it (and you signed my program, saying "You're going to love it!") at the Royal Festival Hall after your first Symphony. Of course, we music lovers are spoiled for choice these days with recordings and concerts of the most superb quality, and it is not every day that I am moved to write to a musician who has brought me great pleasure. What is different about you, though, is your desire to communicate music - your conviction (which I share) that if only people could hear and understand it, they could not fail to love it. Your pre-concert talks seem to be in the same spirit of muscial sharing - you do for Mahler's symphonies what Graham Johnson has done for Schubert's songs. It is a marvellous thing and long may it continue! With thanks and affection, Natasha Goldberg |
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Thank you for introducing me to Mahler (Click to reply)
submitted: 7/10/2008 10:59 AM
by: guest@guest.com
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Mr Zander,
I attended your concert of Mahler's 5th here in Toronto at the Roy
Thompson Hall and was profoundly moved at many levels. Thank you so much
for helping Mahler reach through time and space into our hearts that beat
in this tiresome 21st century. You've done him proud.
- Patricia
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You are Marvelous!!!! (Click to reply)
submitted: 7/10/2008 9:56 AM
by: guest@guest.com
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COMMENTS: I was forwarded the TED thing by a fellow musician and Suzuki
teacher. I was SO amazed. You are WONDERFUL!! I forwarded the link to
all my other colleagues and family. It is SO refreshing to hear someone
like you who combines music with such profound and positive ideas. It
really lifted my heart to hear your presentation. Thank you. Dee
Braxton-Pellegrino
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TED Video (Click to reply)
submitted: 7/8/2008 10:21 AM
by: bz@benjaminzander.com
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REAL_NAME: Mimu Tsujimura
CITY: Berkeley
STATE: CA
COMMENTS: Dear Mo. Zander,
I have watched your talk on classical music, posted on ted.com, and I was
immensely moved. You made me smile and laugh and cry, and I certainly had
shining eyes! I am pursuing a career in operas and musical theaters, and I
will always remember your definition of success. I sing because I want to
see these shining eyes. If one person in the audience thinks, "I'm glad I
have lived to this day," then I think I've accomplished something very
special. Thank you again for such an inspirational talk, and I hope we'll
meet some day and work together!
Sincerely,
Mimu |
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talk on www.ted.com (Click to reply)
submitted: 7/5/2008 5:54 PM
by: jasarov@gmail.com
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Hello,
mr Zander, I just watched your talk on TED and I have to say it was one of the most inspiring talks I've heard about music. I myself am a musician, find myself quite passionate about it, so often I try to get others passionate about music as well, but you truly inspire people. There should be more people like you and I am sure 100% of people would be listening to classical music and try to understand it. It would be a wonderful world if people would see how calming and therapeutical playing music can be.
with respect,
matija |
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Music ! (Click to reply)
submitted: 5/19/2008 6:01 AM
by: danilo@pyxisdh.com.br
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Ben, how are you ?
What is music ?
What is life ?
Here in Brazil, they are the same...
So thanks to make our life better with your music and attittude, and make our music better with your life and sounds !
We have a Human Resources Office Consultation here in São Paulo, Brazil, and we've learned a lot with you, your video, ideas and thoughts.
We hope to see you as soon as possible in our city.
Regards
Danilo |
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Hope After All (Click to reply)
submitted: 5/18/2008 11:42 PM
by: tweedkent@wisc.edu
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Dear Mr. Zander,
I don't know if you're familiar with the Washington Post article about Joshua Bell playing in the D.C. metro station.
http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/
AR2007040401721.html
Well, in order to test the appeal of classical music to the general public, Joshua Bell set up shop in the Washington metro station and played some Bach on his strad for about an hour to see what would happen. As it turned out, hardly anybody payed attention to him and he made only $32. The article was a kind of dooms-day forecast for classical music.
But when I heard about this "experiment", I laughed for I had conducted the same experiment myself several years back when I was only thirteen! Ironically, it was in the same city too. I set up shop in Washington Mall on a park bench along a dirt road, took out my cello (not a strad!), and played some Bach, but my results were quite different. Not only did I make more money than Bell - $60 in about a half-hour - but I received a warm response from all sorts of passer-byers. A businessman paused on his way back from lunch to listen for a while before heading back to work. A group of middle-school students on a field trip stopped by to ask what cool piece i was playing and offered some gummy-bears.
All and all, it was a reaffirming experience. I've always felt that everybody loves Bach if you just present it in the right way. I remember my teacher Mark Churchill telling a story about musicians who travelled to a remote village in Africa to play for the locals. The players pulled out all the cliche pieces one might think non-efficianados would enjoy - Flight of the Bumblebee, etc. - but the audience was indifferent. Then a cellist played the Bourees from Bach Suite 3 and the children started to laugh and dance. Startled by this response, the musicians asked what was going on. The locals informed them that this was music they liked!
I was thinking about my experience on Washington Mall recently - maybe I was just a cute little kid? maybe the warm response I received was due more to my age than to the music? I was on my way back home from school in Madison, WI sitting in a Chicago metro station waiting for my train to arrive, and then it hit me - why not give the "experiment" another go? I'm in a metro-station after all. So i set up shop again, grabbed a chair, and started playing what else but some Bach.
I opened with the Prelude to Suite 1 and the acoustics were fantastic. I thought to myself I don't sound so bad after all, but business was slow. For the first couple minutes not a single person even lifted their head! My case was empty and I was about to pack things up, but then my fortunes turned. A guy gave the first dollar and then another added some more. Well, by the end of the hour I had made a respectable $40. Not the sixty I had made in my youth, but this time around something even more extraordinary had happened. People weren't just plopping coins in a kid's cello case on way to more important things, they were stopping to listen, to enjoy the beautiful music so at odds with the hustle and bustle of that Chicago station. Businessmen, cafeteria workers, college students all gathered around to listen. One kid about my age sat and listened for over 15 minutes. He told me it was the highlight of his day. Another guy, maybe in his fifties, told me he had just started the cello and hoped to play Bach himself one day. Many more just listened off in the distance, perhaps too nervous to approach me, but their interest was unmistakable.
The best part was when this little girl, no older than four, came by and just froze, transfixed by the music. She couldn't take her eyes off the cello and her parents tried moving her along but she wouldnt budge. I quick switched to the c major bourees, thinking of my old teacher's story, but the family had already left. i thought that was the end of it, but a couple minutes later the girl came rushing back dragging her parents along with her. She came up to me, dropped some change into the case, and told me i was "weally good". i was on the top of the world!
Cutesy stories aside, though, people really connected with the music I was playing. All types of people too, and I'm just a struggling college student! I've never bought into the defeatist talk that everyday people don't like classical music. It's just never been my experience. At school this year, I've been trying to play for anyone who will listen and the response has been overwhelming. My building had an "open mic night" in the fall so i thought i'd play some Bach and they loved it. I performed for them casually about three more times throughout the year and each time it was a smash hit. Then it came time for my recital in the spring and I had a coalition of converted classical-music fans eager to come hear me play. Over fifty people showed up and heard the music of Crumb, Cassado, and who else but Bach. And like I said, I'm just a struggling student! I'm still working on open strings!
I think a large part of classical music's woes today lie in part to the defeatism within the classical music world, especially in its youth. Young classical musicians just assume that classical music is boring and lame and that they have to apologize to their peers for liking it - "dorkestra" as it's called. So many of my music friends hardly invited a single non-musician/non-family-member to their recitals. Well, I say classical music is actually cool and if you just play some Shostakovich for a hip-hop fan or some late Beethoven for a heavy metal fan they just might like it. I've seen it happen time and time again. These composers were just as much bad-asses as anybody out there today. I remember an article you wrote telling how you played Beethoven 5 for a classical-music-skeptic in an airport once and won him over. I too share your confidence in the power of classical music to transform not just the lives of the "sophisticated" and "elite" but of ordinary people as well.
Hope all is well!
Michael Tweed-Kent |
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Gratitude (Click to reply)
submitted: 4/21/2008 7:37 AM
by: johndaley
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REAL_NAME: John P. Daley II
AREACODE: 636
PHONE: 236-7985
ADDRESS: 691 A Trade Center BLVD
CITY: Chesterfield
STATE: MO
ZIP: 63005
COUNTRY: USA
COMMENTS: Ben and Roz
I want to thank you for writing this book. I have struggled with
school my whole life. I was labeled learning disabled... told I would
never amount to much.I will never forget how many times I heard "you are
so smart but you will never live up to your potential."
I created so many complexes around these life experiances, I have gone
from wonderboy to bankrupt. For the first time in many months I can see
possibility. I really desire to live in it and sustain joy from it. I am
writing the letter to my soul today, explaining why I got my first real A,
the only one that will ever matter to me. I don't know how I can ever
express enough gratitude for the spark! I really appreciate you lifting 20
years of mental subversion to the "fact" that I recieved low marks on
exams. While I may never finish college, I now can look at it in a new
light. I intend to radiate the possibility and be the spark. The downward
spiral is no longer in control. Thank you so much!
Yours Truly,
John Paul Daley II
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mahler 9th (Click to reply)
submitted: 4/17/2008 9:24 PM
by: ebennett@walnuthillarts.org
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| I wanted to let you know how much we enjoyed you, Mahler, and the NEC orchestra. What a terrific performance! It was really a pleasure to hear it done as a work of peace and affirmation rather than one of resignation. You really inspired the group to sound and perform better than I had dared to imagine---and what a great string sound! I could tell from your Walnut Hill masterclass this was going to have a special mojo about it, and it certainly did! Congratulations, and I hope the orchestra got as much out of the experience as we did! |
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Tonight's mahler concert (Click to reply)
submitted: 4/17/2008 4:26 AM
by: Raquel Jimenez
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Dear Mr. Zander,
I had only a few brief moments to speak with you tonight, but I wanted to again express my gratitude for having the opportunity to hear tonight's performance of the Mahler.
After having read your blog on rehearsal preparation, one thing really stands out. It is apparent to me that you are not only concerned with the orchestra's overall musical experience, but you are very concerned with the human experience as well. It is really touching to see you refer to each person by name- not just instrument, and I also get a sense that you relate to each musician on a personal level.
I'm sure the orchestra members really appreciate having such an attentive conductor.
Again, thanks for the wonderful concert.
Sincerely,
Raquel Jimenez
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Echoes of your visit to Toronto (Click to reply)
submitted: 4/15/2008 9:42 PM
by: jm.fisher@utoronto.ca
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Mr. Zander:
I have been listening to raft of cd's that arrived in the mail yesterday from Telarc.
I wanted to tell you that the notes you spoke in the "5th" commentary on the Kindertotenlieder are great but almost too much to bear.
We lost a child, at birth, in 1991. It was devastating to us, and heartbreaking to Mary's mother.
Last Sunday, I marked the 32nd anniversary of my father's death.
He was only in his mid-forties, and I was fifteen. When you speak of the coffin being a regular piece of furniture in the household, I know only too well...
Still, we live, and I find healing in your words. Your father was right. You are a member of the healing profession.
To live, to learn, to love, to leave a legacy. That's all I want to do. That's what you are doing!
Keep it up, and know that we think highly of you, in Toronto.
best,
Julian.
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Extending the reach of your life lessons (Click to reply)
submitted: 4/11/2008 11:07 PM
by: billylo@yahoo.com
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Dear Mr. Zander,
I was fortunate enough to attend your wonderful presentation at an IBM Leadership conference last year. Since then, I have not stopped thinking about your teaching. The practices in your book, the Chopin music, and everything.
To sum it all up, your teachings has changed my life.
I couldn't wait to share your ideas with my family; but it's harder than I thought. Your book is wonderful. However, for a lot of people, it's much easier for them to absorb ideas through audio and video.
I learned that BBC made a documentary called "Living on One Buttock". But there seems to be no easy way to purchase a copy of it.
"The real power is in making others powerful". Are there any way to trigger some actions that open up access to videos such as "Living on One Buttock"?
I think this will make a difference. And I hope this posting will contribute to it.
Yours sincerely.
Billy.
(one of the many "Zanderized")
[p.s. your concert in Toronto in April 08 was fantastic. I was thrilled to meet you again in person.] |
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Music for Caoching (Click to reply)
submitted: 4/5/2008 8:54 AM
by: graham@walkthisway.co.za
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Dear Ben
I am a very recent "initiate" to your world and what a wonderful, uplifting world it is! Thank you!
I live in what I consider to be the most magnificent, beautiful city in the world, Cape Town, South Africa. I am a career coach and workshop facilitator. My main areas of interest are unlocking the immense potential that each of us has within ourselves to venture beyond our current horizons, and the introduction of classical music into the lives of people who have not yet experienced the joy of embracing this wealth of music.
I was interested to read the message from "the guy in the pink shirt" at one of your performances who shared his experience of remembering his wife as a love lost. He refers to his emotions as you played Chopin. Do you remember what particular piece you were playing at the time, as I would like to experience something similar myself.
Later this month I am due to facilitate a 2-day, interactive "learning to coach" workshop with a group of retired senior executives who have made themselves available to coach young managers and engineers making their way into the world of management. I intend using classical music as a means to stimulate certain states of mind during the workshop and was wondering if you could suggest a few pieces that would be appropriate to share with my group in learning about, understanding and starting to develop some skills in the context of coaching. I am especially keen to set up a good "introductory" session with music in which I will lead a general exploratory discussion on the topic of coaching as a valuable life tool for senior citizens who want to plough back some of their wealth of learning, skills and knowledge to the next generation. I will also be addressing those who will be undergoing the coaching, and would like to use suitable music that will assist them in becoming receptive to the experience of being coached. Your advice on the choice of music for this would also be sincerely appreciated.
Thank you so much for your inspiration - I am so excited about combining my love of the classics with the work I do as a presenter, trainer and facilitator.
Warm regards
Graham McCulloch
Cape Town, South Africa
Saturday 05 April 2008 |
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The Tall Man in the Pink Shirt – Fourth Row – Cried During Chopin (Click to reply)
submitted: 4/3/2008 11:28 AM
by: dehicks@indiana.edu
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Mr. Zander,
We met in Orlando, FL when you spoke at the American Association of Collegiate Registrars & Admissions Officers (AACRAO) conference. I was the “tall man, in the pink shirt, fourth row from the front, who cried during Chopin.” A short time later, you and I were talking in the exhibit hall and I told you that the one I loved and lost was my wife. You asked me to send you this note as a reminder of our encounter.
The Tall Man in the Pink Shirt – Fourth Row – Cried During Chopin
Benjamin Zander asked the audience, in which I sat, to close our eyes and think of someone we had loved and lost…while he played a piece from Chopin on the piano…so I did. With my eyes closed, he softly began playing and I almost instantaneously lost myself in the music. I dreamed of my wife who I had loved and lost.
During the first part of the score, I remembered the day Tina and I met, how we laughed, how we shared, how we loved. During the middle part of the score, as the music reached its crescendo, I remembered the birth of our two wonderful children, Christopher and Victoria, and the joy they brought to our lives. But, as the music digressed from its triumphant crescendo to its lonely and somber end, I contemplated the drift that snuck into our lives. And, with his final lonely note, Tina’s hand slipped from mine. She was gone. Twenty-seven years of marriage had come to end.
After his performance and speech to my college registrar colleagues, I had an opportunity to shared my Chopin experience with Mr Zander. When I finished, he asked me what I was going to do now. I calmly stated…, “Sir, I am going to go home, hug my two children, and give them both “A’s.”
Sincerely,
Dennis (the tall man in the pink shirt, fourth row, who cried during Chopin) |
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Mahler's 9th (Click to reply)
submitted: 4/3/2008 11:06 AM
by: martyj_58@yahoo.com
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Professor - One of my former students emailed a portion of your blog on the Mahler 9th Symphony to me and that compeled me to write this.
I discovered and read your book "The Art of Possibility" this summer and found it really exciting.
Well, this former student of mine is studying at NEC, is a part of your orchestra, and thoroughly enjoying the experience (Elation is a better word). The student's excitement is heightened because when I discovered that you are a part of NEC, I bought "The Art" as a gift for two reasons. The ideas and concepts you present are life-forming, and it shows your "heart" to an aspiring young musician.
I can tell you that this student's short time with you is already strengthing not only a musical foundation but a life-building foundation.
Oh - I forgot to give you a name.. Look around your orchestra. I'm sure you will spot who I'm talking about. It will be easy..... I'll bet any student in the orchestra feels as my student does about their experience with you ............. so, look around and enjoy.
As you know, Musical Academia can be filled with egos, so I would like you to know how wonderful it is for someone such as me to know that one of my students is in the care of a conductor that knows building people (musicians) is what re-creates the glorious music of the likes of Mahler. The music, the musicians, the person, in the hands of a life-building conductor - EVERYBODY WINS.
Thank you so very much.
Martin S. Johnson |
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HELP, HELP they want to throw MUSIC out (Click to reply)
submitted: 3/25/2008 3:47 AM
by: wheinz@rodio.co.za
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Dear Benjamin Zander
As a governor of one of the schools in Johannesburg and as one of
your
ardent admirers, having attended one of your presentations at the
Theatre
on the Track I have two questions: When are you coming to South
Africa
again??? AND
How can I prevent the school from "throwing out" Music???
Do you have more information, videos etc to assist in my process to
convince the school of the value of music. It should be obvious but
within
the present climate of utilitarianism, and materialism it seems to
get
increasingly difficult. Kind regards
wfheinz
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Organizational Change (Click to reply)
submitted: 3/22/2008 12:58 PM
by: misskellymanzella@yahoo.com
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Dear Mr. Zander,
I hope you [and Mrs. Zander] are having a perfect day!
I am a communications and leadership graduate student from Buffalo, New York. I was assigned at least twelve books to read for courses this semester. I plowed through them quickly before the semester even began so that I could manage the overcommitted course load I elected for myself!
Your book is the only one I recommend to others. I think about it every day. Even the opening exchange with the young lady in the hotel restaurant pops in to my mind regularly.
I have a presentation at the end of my organizational change course and I wish to have something more interesting to share with my classmates than the standard power point presentation. "The Art of Possibility" was at work on me when I awoke early one morning and thought that perhaps I could write a letter to Ben Zander. What would I write? What do I wish to share? What do I wish to gain? What response | | | |
